The production team chose a story arc which I was never very fond of, but one of the more do-able ones to be sure. The producers had very big shoes to fill, and though I am in the minority here, I believe they did well. Hence, although I like Stallone in this film, it's not only misleading but a little insulting to call this 'a Stallone film'. It freely traversed from film noir to flat-out wild sci-fi action to nihilistic hard justice, and did so with style and originality rarely seen in the comic medium. With story arcs varying from 2 pages worth of panels to 4 or 5 episodes, and sometimes multi-threaded plots, this violent, political and tough cyberpunk version of Dirty Harry set some pretty high standards for adult comic authorship both in its native UK and in the USA, once the imports started flowing in. Eagle Comics 2000 AD character Judge Dredd was one of the most original, entertaining and intelligently written and interestingly drawn sci-fi comics of recent times. On the flip-side, when the most consistent complaint you can find among IMDb psychofants is 'HE TOOK OFF HIS HELMET!', you really have to wonder if the film is quite as bad as so many believe.

The film should have been titled 'Judge Dredd' - even in the packaging - and the emphasis for the marketing of this film should have been less Stallone, more content. Take a look at the cover of the DVD package: 'Stallone: Judge Dredd'. This film, and its generally poor reception is a good example of what happens when huge marketing mistakes are made.

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